Yantra, in Bali known as “Rerajahan” is the same thing containing the occult from Tantric teachings. Yantra is the Sanskrit word for ‘ a machine’. The yantra is the language of unconscious or the dialogue between unconscious and the universal consciousness.
Few yantras have been known to deflect negative energies and black magic. Such Yantras have been used as protection amulets. Yogis have experienced that concentrating and meditating on a yantra gives them a gateway to a higher level of consciousness.
As we know the Universe is a mathematical correlation between vibration, sound and form. All matter is merely mathematical symmetry of the vibrations of the frequency of energy particles. The frequency of the universe cannot be read until we learn the language of nature.
By clever people translated in writing such as mathematical code and the letters are lines, triangles, circles, and other geometric figures, which cannot be translated by ordinary people.
The geometrical patterns on a yantra is the language of the universe and upon channelizing, it transcends multi-dimensionally to manifest the users thought frequency. Yantra alters the frequency of a place. Geometrical patterns of Yantra, changes the vibrations of the space it is placed in.
Why are Yantras important?
In Tantra, Yantras / Rerajahan are considered as the physical form of divine and powerful energies and mantras are considered the energies themselves. These energies have the power to transform consciousness and create realities.
As per Law of Attraction, thoughts are the form of energies that go out into the universe and attract similar energies to the source. Energies are nothing but waves with vibrations and frequencies.
If thoughts are energies they vibrate at a particular frequency. And in the universe of vibrations and frequencies, like attracts like. Not only our thoughts our words are energy too. And thoughts and words together have a compound effect on the vibrations we are generating.
Yantra generally arises from the existence of culture. Deep and core spiritual knowledge is expressed in the form of written symbols. Especially in the stone age there was no stationery like now, of course it is very difficult to write a lot.
Yantra is made to represent the meaning and meaning of the complex / many in one arrangement for a particular use. Over time experienced many additions to art elements, such as modre, calligraphy, painting, etc.
In Kundalini Yoga we have a symbolic representation of the subconscious forces in the form of yantras on each cover or every chakra.
Balinese Yantra / Rerajahan
Rerajahan can be useful in accordance with its objectives if the creator is really able to make it. What makes the soul / life is none other than Energy, that every thing is formed by atomic particles. Nature is a supplier of energy, the maker of natural resources utilizes natural energy.
Various forms and types of rerajahan is only a medium to direct the mind of the maker so that energy can be ordered in accordance with the rerajahan made.
Many people use the media connecting energy, namely Water, Crystal, Gold, Copper, Silver, Gems, etc. The purer the content of the content, the better the media, as Coconut Water / Bungkak will be far better than tap water.
How come? for example;
A practitioner of prana uses the medium of water, a crystal that is given energy as a healing medium, then with the command of his mind, no matter whether he uses Balinese, English, Indian or even Russian … he stores that energy there for so long in order to heal.Consciously or unconsciously he controls the tuning of the frequency level of the mind that comes out to capture and be on the same frequency path in nature.
(Like TV wave transmitters and receivers).
That energy always exists in nature to fill all space, and energy does not care what kind of language and letters are used.
Just as Indonesian people call Mawar and in the western say Rose, the intended and intended are the same.
The mind of the disturbing person is likened to a frequency wave, with so many wave settings … Hz synchronizes with the frequency in nature to be connected.
Examples in more simplicity like this:
Like a live electronic device; IC, diode capacitors must contain a crystal inside. These crystals are used to multiply, store and deliver electrical energy in accordance with the required capacity. So the actual electric charge already continues to flow, but if there is no media as a reservoir, the current and liaison connecting he will not work optimally (ride through like a cable).
Why are almost all of the areas made to look scary?
It depends on each individual painter.He expressed his Taks, even there until his eyes glared and held his breath while drawing it, and there imagined himself to be scary in accordance with the goal.
Some people who want rerajahan to add strength, especially for themselves, prefer to use things that seem more sinister, antique and unique.
Another example, the picture of Cat, the painting is really scary, when in fact it’s really hello kitty.
So far no one wants to use a picture of a rose, except for Tattoo.
With that he added his belief and suggestion to his mind that only with this type of symbol would it be able to be carried out according to its purpose.
For example:
In making magicians, pengider ider, Krudung Rangda, etc …
The symbol of the picture can be printed by Digital Print or Screen Printing to be sold to many people.
But it is not yet magical or energizing, so it is not a problem to put it carelessly.
That means it is not the form and type of symbol that is Magical or Living, but because there is no appropriate energy charge yet.
Why ?
Because the printer at that time did not use the power of his mind when printing each dot, each line of the symbol (Unifying the mind or it could be called the Word of Bayu Idep).
The symbol, of course, if it is able to be replaced at will, as long as we know how to use that energy to suit your desires.
But we better use the existing one rather than trying to complicate things that may not necessarily be believed to be full.
Why do people make different forms of colonialism?
As explained above, each stroke symbol is a medium that makes it easy for the union of mind power, so that energy can be stored. Type A for this, Type B for that, etc.
For example, if I wanted to voice Do, I would definitely write 1 not 3.
People who are bound by such rules will be able to quickly focus their minds, because each letter has been given meaning and meaning before (Doctrine).
Just like the 9 names of the Gods have been doctrined in this form, the color is like this, it is located there, for this way … etc.
That will make it much easier for us to focus on the intended destination.
* And don’t neglect also, that the doctrinal agreement in the Scale realm also applies to the Niskala realm in accordance with their respective territories. Because agreement can create a larger collection of mind energies in groups. From the collective agreement, energy can affect a person’s mind, whether those affected believe it or not while still in that energy group, then their thought waves are also affected (conscious / unconscious) unless this person’s mind energy is stronger than that group’s energy.
Back again to the above thing that is not yet alive.
To give magic to the region, for example Krudung Rangda above, … For wider use such as for the banjar area, it certainly requires more energy than just for personal use.
For that it is very difficult to find people to be able to do that.
Therefore they make a living by giving gifts in Pura Dalem or in mrajapati for example.
Now with togetherness that is gathered into one and the power of the mind power of each individual who prays and then multiplies in one place creates greater thought energy through a place in the temple or grave that they already believe will be his occupational.
From that place the greater energy collected in the territory in accordance with the direction of mind prayer. (like the Crystal media example above).
Therefore it cannot be the same magical power that can be obtained in each region, because it depends again on the right way and ability of the one who revives.
Do not then say that the Gods worshiped at the time were said to be unmistakable, if not as expected. Because the Gods of Goddess only carry out their duties according to natural law will fulfill if in accordance with applicable terms and conditions.
That means if the frequency output is not appropriate or the power of the mind is not sufficient to be in the channel then it will not work well.
There are so many kind of Yantra or Rerajahan, which includes; Yantra Maha Laksmi, Shriyantra, Ganesha, Rerajahan Citak Merah (For building foundation), Temples, Gegemet, Chakras and Symbols, etc.
Utilization of Yantra or Rerajahan really depends on who uses it, whether for Positive purposes or to negative things, it goes back to each individual.
And always remember that every action will produce a reaction. And so also with the use of areas that in its use will bring a back reaction (whether it’s positive or negative).
Sacred Geometry
Sacred geometry involves sacred universal patterns used in the design of everything in our reality, most often seen in sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, cosmology. This value system is seen as widespread even in prehistory, a cultural universal of the human condition.
It is considered foundational to building sacred structures such as temples, megaliths, monuments an sacred spaces such as altars, temenoi and tabernacles; meeting places such as sacred groves, village greens and holy wells and the creation of religious art, iconography and using “divine” proportions. Alternatively, sacred geometry based arts may be ephemeral, such as visualization, sand painting and medicine wheels.
Sacred geometry may be understood as a worldview of pattern recognition, a complex system of religious symbols Yantra and structures involving space, time and form. According to this view the basic patterns of existence are perceived as sacred. By connecting with these, a believer contemplates the Great Mysteries, and the Great Design. By studying the nature of these patterns, forms and relationships and their connections, insight may be gained into the mysteries – the laws and lore of the Universe.
Many forms observed in nature can be related to Yantra geometry (for sound reasons of resource optimization). For example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic yantra spiral to accommodate that growth without changing shape. Also, honeybees construct hexagonal cells to hold their honey. These and other correspondences are seen by believers in sacred yantra geometry to be further proof of the cosmic significance of geometric forms. But some scientists see such phenomena as the logical outcome of natural principles .
Art and Architecture
In ancient civilizations the golden ratio (sacred geometry of Yantra) was often employed in the design of art and architecture – from the simple spiral yantra to more complex designs yantra. Today sacred geometry yantra is still used in the planning and construction of many structures such as Hindu temples, religious monuments, altars, tabernacles, sacred spaces and the creation of religious art.
The Egyptians supposedly used it to guide the construction the Pyramids. The architecture of ancient Athens is thought to have been based on it. Fictional Harvard symbologist Robert Langdon tried to unravel its mysteries in the novel The Da Vinci Code. “It” is the golden ratio, a geometric proportion that has been theorized to be the most aesthetically pleasing to the eye and has been the root of countless mysteries over the centuries. Now, a Duke University engineer has found it to be a compelling springboard to unify vision, thought and movement under a single law of nature’s design.
The Sacred of Yantra Geometry
Reality is a consciousness hologram set in linear time to experience and record human emotions. Reality is based on science and math Yantra algorithms. The term “sacred yantra geometry” is often used by archaeologists, anthropologists, geometricians, and metaphysicians to encompass the religious, philosophical, and spiritual beliefs that have sprung up around this geometry in various cultures during the course of the human biogenetic experiment.
Sacred Geometry of Yantra is abbreviated SG referencing Stargate, the Wheel of Time or Karma through which we experience and evolve.
We are soul sparks of light having a physical experience, our consciousness spiral down through the patterns of the golden ratio (from the golden age in Hindu), now about to reverse the spiral (spin) and return to source consciousness and light.
To understand reality is to focus on the patterns that have repeated throughout time, as if on a higher octave with each programmed experience for the souls. Science and science fiction are merging in the twenty first century when all becomes clear and the nature of reality, as based on a sacred geometric design, is understood. It’s really not that complicated.
